Inspired by Fergusson

Fergusson is frequently described as a ‘poet’s poet’, whose works and life have influenced many other writers in the two-hundred and fifty years since his death. From Robert Burns, Dorothy and William Wordsworth and Robert Louis Stevenson, to Hugh MacDiarmid, Robert Garioch, Sidney Goodsir Smith and Edwin Morgan, Fergusson has inspired much creative and critical thought.

In the twenty-first century, Fergusson continues to make his mark. He inspires performances, including Braw Clan’s play Crown of Straw which stunned audiences in summer 2024. Edinburgh tourist attraction, The Real Mary King’s Close, also features Fergusson as one of their immersive tour guides examining the hidden historical underbelly of Edinburgh’s Royal Mile.

2025 has seen the publication of a poetry volume, organised and edited by Project Fergusson, to celebrate the monumental anniversary. Read on to find out more about Fergusson’s influence on poets and playwrights.

The Gravestone of Robert Fergusson, Canongate Kirkyard, Edinburgh

Following his death 250 years ago, Fergusson was laid to rest in the Canongate Kirkyard on 19th October 1774. Tributes to the poet flooded into the Weekly Magazine, who announced the poet’s death by publishing his obituary in their issue of 20th October. Ruddiman, the magazine’s proprietor, praises Fergusson in this obituary by stating that he was ‘a genius so lively’, whose ‘talent for versification in the Scots dialect has been exceeded by none’.

Another famous poet, Robert Burns (1759 – 1796) was hugely inspired by Fergusson. In a letter to his friend John Moore in August 1787, he notes:

‘Rhyme except some religious pieces, which are in print I had given up but meeting with Fergusson’s Scotch poems, I strung anew my wildly-sounding rustic lyre with emulating vigour’.

Whilst suffering from a loss of inspiration, Burns felt encouraged to continue to write poetry after reading Fergusson’s Scots verses.

When Burns visited Edinburgh for the first time in 1787, he made a pilgrimage to Fergusson’s grave to pay his respects. When he arrived, he found the grave unmarked, a sign of the Fergusson family’s poverty at the time of his death.

The Gravestone of Robert Fergusson, Canongate Kirkyard, Edinburgh
Poetical Works of Robert Fergusson with his life 1799, Paisley.
502596 / 502597
The Gravestone of Robert Fergusson, Canongate Kirkyard, Edinburgh

Burns believed that Fergusson needed a memorial on his grave, and as a sign of respect decided to commission Fergusson’s headstone. The stone you see now in the Canongate Kirkyard is the one paid for and designed by Robert Burns. Burns also wrote the verses which feature on the stone, and his name is engraved on the back. It took him years to pay for the stone, which gives an indication of how important this was to him.

Another literary Robert who was fascinated by Fergusson was Robert Louis Stevenson (1850 – 1894), the author of Treasure Island and The Strange Case of Dr Jekyll and Mr. Hyde.

Stevenson felt a real affinity with Fergusson, he believed there were ‘bonds’ between them. He wrote in a letter to a friend in April 1891 that: ‘You will never know, nor will any man, how deep this feeling is: I believe Fergusson lives in me’.

Stevenson planned to renovate Fergusson’s tombstone but died himself before he could do so. A plaque installed at the bottom of Fergusson’s grave by the Saltire Society commemorates Stevenson’s plan.

Crown of Straw

This image shows a modern iteration of Robert Fergusson, wearing a leather jacket and skinny jeans, as played by actor Kieran McKenzie in Crown of Straw. On stage throughout the whole production, McKenzie’s Fergusson was playful, lively, inspired, and tortured in turn. Urbancroft Films have here captured the moment after Fergusson’s coronation with his crown of straw.

The synopsis of the play was as follows:

Edinburgh, 1774. Alone in a filthy Bedlam cell, a young man pulls straw from his mattress and weaves himself a crown. His raucous life of wit, poetry and song has ended in a vicious shove down a stone staircase. Wracked with pain and haunted by delusions, he wonders if anyone will remember him.

Crown of Straw tells the extraordinary true story of Robert Fergusson, the trailblazing writer who inspired Robert Burns. Exploring his pioneering work, lively songs and tragic death, this rehearsed reading celebrated the life of one of Scotland’s most important, and forgotten, poets.

Kieran McKenzie as Robert Fergusson in Crown of Straw, 2024
Kieran McKenzie as Robert Fergusson in Crown of Straw, 2024
Urbancroft Films
With thanks to Braw Clan

Press play to see highlights from the performance.
With thanks to Braw Clan

Crown of Straw programme cover
Crown of Straw programme cover, 2024
With thanks to Braw Clan

Braw Clan’s Crown of Straw was a community rehearsed reading seen by nearly 200 people. Tickets were free, with performances in Biggar Corn Exchange, Crawford Village Hall, and Leadhills Village Hall. The cast included three professional actors, student actors from New College Lanarkshire, members of Corn Exchange Young Performers and community actors from Biggar Theatre Workshop. Crown of Straw was part of Unlocking Scots, Braw Clan's development programme funded by the National Lottery, and it was created with support from the Scottish Society of Playwrights’ SSP@50 Fellowship Awards.

Poetry Collection – Taproot Press

In order to mark two hundred and fifty years since the death of Robert Fergusson, Project Fergusson launched an open call in collaboration with Edinburgh publisher Taproot Press. This collection is the result, as across Scots, English and Gaelic, a wealth of contemporary poets respond to Fergusson’s life and work. From tributes to biographies to departures, Scotland’s most celebrated writers and emerging poets alike evoke the enduring impact of Fergusson upon their work, proving that, two hundred and fifty years after his death, his song immortal lives.

A series of events launched ‘Oer a’ my labours sey your skill’: Poetic Responses to Robert Fergusson in September and October 2025, and more information about the volume can be found here.

O'er a' my labours sey your skill
‘O’er a’ my labours sey your skill’: Poetic Responses to Robert Fergusson, edited by Rhona Brown and Amy Wilcockson (Edinburgh: Taproot Press, 2025).

Explore